Category Posture of the figure

The hand posture as well as the posture of the figure, e.g. sitting, standing, bent, dancing, meditating.

abhanga

slight flexion (in the standing pose of a figure)

abhaya

hand suggestive of protection (cf. abhaya-mudra)

abhaya-hasta

a gesture granting freedom from fear – finger pointing (cf. abhaya)

abhaya-mudra

hand-pose assuring protection (cf. abhaya); gesture of fearlessness, reassurance and protection offered by deity to devotee, with right hand displayed palm outwards and fingers raised

alidha

the pose of a warrior, with his right leg bent forward and left drawn back (cf. pratyalidha)

ananda-tandava

dance pose; ‘dance of bliss’ – associated with South Indian representations of Shiva Nataraja, especially processional bronze images

anchita-gana

a gana with graceful flexion

angaharas

bodily gryations in a dance pose

anjali-mudra

a pose of anjali with the palm of the hands joined together near the chest; ‘two handfuls’ – pose with hands clasped together in respectful greeting and adoration, characteristic of subordinate deities, attendant gods and devotees

ardha-chandrahasta

hands in crescent moon-like form to hold fire

ardha-paryanka

seated with both legs on the seat, one raised up and the other bent

ardha-paryankasana

seated with both legs on the seat, one raised up and the other bent

ardha-yogapatta

hand around one bent leg in meditative pose

ardha-yogasana

meditative mode of seat with ardha-yogapatta

asamyuta

single hand in dance gesticulation

asamyuta-hasta

single hand in dance gesticulation

asana

seated pose; alternatively, a kind of seat

atibhanga

multi-flexed pose

bhujanga-trasita

‘scared by snake’, a dance-pose suggesting movement away from a snake out of fear

chatura

a dance-pose, with the left foot slightly raised but still touching the ground; lit. clever

danda-hasta

hand held straight like a stick (cf. kari-hasta)

dharmachakrapravartanamudra

hand suggesting the first turning of the wheel of law by Buddha at Sārnāth

dhyana

meditation or hands in meditation

dvibhanga

duoflex pose

govala

posture of the hand hanging down in the manner of the tail of a cow

hasta

mode of hand suggestive in dance, single asamyuta or double samyuta

hasta-svastika

hands crossed

karanas

dance pose; classified and codified dance movements

kari-hasta

hand held straight like a stick (cf. danda-hasta)

kartari

a holding gesture

kartari-mudra

the gesture of kartari

kartari-mukha

fingers of the hand held like a pair of scissors to hold an object

kataka

a pose of holding between the closed fingers

kataka-hasta

the pose of hand in kataka

kataka-mukha

hand in an attitude of holding a lily

katyavalambita

pose in which the hand is held straight below the hip

kayotsarga

Kayotsarga means to give up one’s physical comfort and body movements, thus staying steady, either in a standing or other posture, and concentrating upon the true nature of the soul.

lalitasana

relaxed sitting posture with one leg pendant, the other bent at the knee

lalitha

dance pose; graceful form

maharaja-lilasana

sitting posture with one leg folded at the hip, touching the thigh of the other, which hangs with the heels slightly raised above the pedestal which is touched only by the toe or a few fingers

maharajalila

a royal pose of sitting at ease; seated pose of ease like a king, with the right hand resting on the knee of the bent right leg

mudra

gesture of the hand

pada-svastika

crossed legs

padmasana

Lotus pose: a seated pose of ease with the legs crossed and feet resting on the thighs with the soles turned up; alternativly, the lotus shaped seat or pedestal (also padma-pitham)

paryanka-bandha

legs bound in a strap for so they stay easily kept in a yogic meditation pose (cf. yoga-patta)

paryankasana

seated pose with legs locked over seat

pratyalidha

warrior’s pose, the opposite of alidha

samabhanga

a posture in which the figure is shown without flexions of the body (see also abhanga, tribhanga)

samapada

straight pose with feet together

samyuta

double hand in dance gesticulation

samyuta-hasta

double hand in dance gesticulation

sarbamudra

a pose like a hooded serpent

suchi

hand with pointing finger in terrifying attitude

sukhasana

seated at ease

tandavakaranas

dance poses

tarjani

hand in attitude of threatening

tribhanga

literally ‘triple-bent’; triflex (in the standing pose of a figure); consisting of three bows (neck, hips and knees) existing posture of a figure in the form of an ‘S’, she is considered graceful and sensual; exaggerated contrapposto

utkutika

a pose of the leg tucked up on the seat

utkutikasana

seated with a bent leg raised on the seat itself and the other dangling

varada-hasta

a hand lowered; palm forward, fingers pointing downwards

varada-mudra

hand-pose conferring a boon

virasana

hero’s seated pose with one leg on the other

vyakhyana

hand gesture of explanation, especially associated with Shiva and his followers

vyakhyana-mudra

hand-pose in the attitude of exposition

yoga-patta

a band-strip for binding the legs in a meditation pose (cf. paryanka-bandha)

yogasana

meditative pose

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