Samabhaṅga (समभङ्ग) a posture in which the figure is shown without flexions of the body (see also abhanga, tribhanga and atibhanga); The plumb line runs through the navel from the crown of the head to a point midway between the… Continue Reading →
The attitude of meditation. In this hand-pose, both hands are placed on the lap, right hand on left, with the fingers fully extended and the palm facing upwards. Also called yoga-mudra or dhyana.
Samapāda (समपाद) or Samapādasthānaka refers to the ‘erect posture’; In samapada posture, the head and body are held erect with legs and arms close together. There is no flexion in the body. The gaze is direct. Samapada-sthanaka is of two… Continue Reading →
Samapādasthānaka (समपादस्थानक) or Samapada refers to the ‘erect posture’; In samapada posture, the head and body are held erect with legs and arms close together. There is no flexion in the body. The gaze is direct. Samapāda-sthānaka is of two… Continue Reading →
Sampāda (सम्पाद), straight pose with feet together; standing with the feet together or even
Saṃyukta (संयुक्त) or Saṃyuktahasta is the presentation of a double hand in dance gesticulation (cf. asamyukta-hasta and nrtta-hasta).
Saṃyuktahasta (संयुक्तहस्त) or Saṃyukta is the presentation of a double hand in dance gesticulation (cf. asamyukta-hasta and nrtta-hasta).
hand-pose in the attitude of teaching or exposition; In this hand-pose, the tips of the thumb and the forefinger touch each other to form a circle, while the other fingers are kept open. The palm faces outwards.
similar to abhaya
a pose like a hooded serpent
The Sauṣṭhava (सौष्ठव) of limbs is to be presented by being still, unbent, at ease, not very upright and not much bent. When the waist and the ears as well as the elbow, the shoulder and the head are in… Continue Reading →
Savya-lalita or Savya-lalitasana; Sitting on a high platform like a stool, with one leg hanging down and the other bent with the sole of the foot facing upwards resting on the leg (also called Lalita or Sukhasana).
Savya-lalitasana or Savya-lalita; Sitting on a high platform like a stool, with one leg hanging down and the other bent with the sole of the foot facing upwards resting on the leg (also called Lalita or Sukhasana).
In this hand-pose, the tips of the fingers are loosely joined to the thumb to form a ring. This is done with a view to inserting a fresh flower in the hand of the icon every day. (cf. Kataka, Kataka-hasta… Continue Reading →
Siṃhāsana (सिंहासन), a seating with a lion’s face; four-legged and is rectangular or circular in shape; its four legs are made up of four small lions; Sitting cross-legged as in Kurmasana. The palms of the hands are kept on the… Continue Reading →
Sopāśraya (सोपाश्रय) or Sopasrayasana, Sitting with legs loosely locked, the soles of the feet resting in the front.
Sopāśrayāsana (सोपाश्रयासन) or Sopasraya, Sitting with legs loosely locked, the soles of the feet resting in the front.
Sthāna (स्थान) refers to ‘standing posture’ (cf. Sthanaka). The six different kinds of sthānas are as follows: Vaisnava, Sampada, Vaisakha, Mandala, Alidha, Pratyalidha.
Sthānaka (स्थानक) refers to ‘standing posture’ (cf. sthana). The sthānaka in iconography has two typs: samapada-sthanaka and kayotsarga-sthanaka.
Sthānāsana (स्थानासन) refers to the posture dependent on the sthana, and represents one of the five types of asana.
hand with pointing finger in terrifying attitude; In this hand-pose, the projected forefinger points to an object below.
Sukha (सुख), Sitting in any comfortable position.
Sukhāsana (Sanskrit: सुखासन) seated at comfortable posture; Sitting on a high pedestal as on a stool, with one leg hanging down and the other folded and resting on a cushion or a pedestal (cf. Savya-lalita or Lalita).
Svastika (स्वस्तिक) or Svastikasana, Sitting cross-legged with the toes of the feet touching the opposite knees.
Svastikāsana (स्वस्तिकासन) or Svastika, Sitting cross-legged with the toes of the feet touching the opposite knees.
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